OLIVIA'S MINE marks Janine McCaw's debut as a popular fiction writer. For the
Vancouver-based novelist it is the beginning of a dream, and the fruit of years of
working in a different creative realm.
McCaw's deep understanding of compelling plots, widely appealing characters,
natural dialogue and strong story arcs comes directly out of her early career in
the film and television industry. McCaw's skills as an observer started early when
her family uprooted from the City to small town Ontario - and she became the
classic fish out of water. Writing down her thoughts became an outlet as she
scribbled her way through childhood, while she also developed her observational
skills and visual eye with photography. A die-hard hockey fan, McCaw studied
Cinematography at Humber College, and was headed for a career as a
cameraperson covering professional sports when she landed an internship in a
broadcasting services company.
McCaw excelled in the television distribution arena. She joined Thomas Howe &
Associates and moved with that company to Vancouver, where she distinguished
herself with her talent for identifying the right product for the right market, and her
people-skills in negotiating contracts. After furthering her professional
development with several high-profile Canadian entertainment companies, she
parlayed her reputation as a leading Cable Programming specialist into her own
boutique firm. Formed with a partner, Dark Horse Entertainment specialized in
finding, and selling, niche Canadian television series - entertainment, information
and variety - around the Globe. McCaw also acted as an independent executive
producer on award-winning television Classic Car series, CHROME DREAMS,
and as a distributor for series including ENTREE TO ASIA, and AT HOME WITH
HERBS.
In high demand as an insightful, humorous and engaging guest speaker, juror
and analyst for festivals and trade forums around the country, McCaw also spent
large amounts of time traveling abroad to television markets. Writing relieved the
stress of constantly being on the road. Increasingly, she turned her main hobby
into outlines for novels, and finished fleshing out the characters, plot and
dialogue for OLIVIA'S MINE, a fictional account of a young bride's struggle to
make a life for herself against the backdrop of the disasters that hit Britannia
Beach, British Columbia in the early 1900s.
Encouraged by the strong response she received from peers and established
writers, McCaw became frustrated by the long timelines involved in traditional
publishing. She turned her technological savvy, research skills, and her careerlong
ability to get things done, to fast-track the process.
"The feedback I received was tremendous," McCaw explains, "but the process
was excruciating. It seemed so odd to me that if you are a musical artist, and
you negotiate an exclusive deal through Starbucks, you are trendsetter, on the
cutting edge of distribution, and in control of your art. If you are a film producer,
and you beg borrow and steal from your friends and relatives to produce your
first feature film, you are a financial genius, on the cutting edge of distribution,
and in control of your art. However, if you are a writer and you publish your own
book yourself, you are...well, you're so vain! I just don't buy into it. In the
Entertainment Industry, artists are increasingly maintaining creative control, and
finding audiences, via the Internet. Virtual libraries and books-on-demand are
even becoming the norm for established publishers. Given my background,
that's where I want to be right now."
OLIVIA'S MINE is due for release in the Spring of 2006. McCaw is also currently
developing eight other stories for novel form. All set on the Pacific North West
and in Canada's North, they include the murder mystery A LITTLE FIRST
DEGREE, a feel-good trilogy THE INN AT HAZY WATERS (Northern Exposure
meets Fantasy Island), and PUMPER an action romance that has already
garnered interest as the basis for a feature film.